Finally updated my Silh Studio File Formats Cheat Sheet for V3. Click here for a printable PDF.
The changes from version 2: Macs lost the ability to open .ai files, Mac basic users lost the abililty to open .pdf files. Win DE users gained the ability to open PDFs, and all DE users can take full advantage of vector PDFs as of version 3.3. BE added new vector options.
I’ve also prepared a new chart just to help you understand how to handle a PDF depending on its content and what version of Silhouette Studio you have.
To determine if a PDF has vector or bitmap content, zoom in to at least 800% and if the lines are still crisp, it is a vector. If the lines are blurry or pixellated, it is a bitmap. If you need help understanding the difference between vectors and bitmaps in general, this video should help.
The theme for this month’s Silhouette Challenge was right in my wheelhouse…print and cut. It was hard to pick a project because almost everything I do is print and cut, so I decided to go with a valentine card I was going to be making anyway. This card has all my favorite elements … nerdy wordplay, a robot, matching patterns from Lettering Delights and a wobbly character. The rectangular layers are print and cut, with the robot print and cut with an offset and rising off the page with an Action Wobble. Hard to beat for a quick, easy and fun Valentines card.
Tip: Blank out the center of obscured layers to save ink.
Here’s where to find the images I used in this card
- Background patterns- Peepsicles Paper Pack
- Robot and eyeball- Programmed for Love Graphics Set
- Font- LD Big Kahuna font
Want to Check Out More Silhouette Print and Cut Projects?
My Silhouette Challenge buddies and I are all sharing p&c projects on our blogs today, so have a look-see below for a ton of inspiration, and don’t forget we all appreciate some comment love!
1. Clever Someday // 2. TitiCrafty // 3. GingerSnapCrafts.com // 4. My Paper Craze // 5. Simply Kelly Designs // 6. Little Blue’s Room // 7. Mama Sonshine // 8. Small Stuff Counts // 9. Dragonfly & Lily Pads // 10. GiveMeAPaintbrush // 11. Please Excuse My Craftermath… // 12. Barb’s Life // 13. GetSilvered // 14. Lil’ Mrs. Tori // 15. Minted Strawberry // 16. unOriginal Mom // 17. Where The Smiles Have Been // 18. Persia Lou // 19. Silhouette School // 20. From Whine to Whine // 21. DailyDwelling // 22. Creative Ramblings // 23. Paper Garden Projects // 24. It Happens in a Blink // 25. Perfectly Fabulous // 26. Adventures in All Things Food // 27. Create & Babble
Several years ago, the gift packaging project pictured below was posted on Martha Stewart’s site.
It’s no longer there, but it continues to live on via Pinterest and gets circulated in the various craft groups every so often. When it first appeared, I started working on a font to make it easy to create these stand up letters with a digital diecutter. Soon, however, new features like the eraser tool were added to our diecutting software that made a specialty font unnecessary. But now that Cricut Design Space has hit the scene, I’m dusting off some old resources that can be really useful given its limited feature set. And this one is a time saver no matter which software you use.
So meet the font that I’m calling Top College (because it is a college style slab serif with its bottom missing)…
Download Top College here (If you like it, I’d appreciate a pin, a tweet or a mention in your favorite diecutting group)
To use Top College in your diecutting software, simply type. All of the letters are upper case, but when you use upper case on your keyboard, you get letters with score marks and when you use lower case on your keyboard the letters will appear without score marks. This way you can decide which works best for your project. To use, simply type. If you want the letters to stand up from the top of a downward folded card, be sure to position the base of the text so that it rests on the vertical center line of your card as shown here.
I should mention that this font has very thin lines that will seem to disappear in pull down menus, so you may have to locate it by typing into the search box instead of scrolling.
And because no one likes single layer text (and Top College font can’t be offset properly), I designed it to work as a background/mat/shadow for a thinner font called CollegiateInsideFLF. The companion font is widely available online but I’m including it in the download package for your convenience. Be sure to type in all caps when using CollegiateInsideFLF. You will have to isolate letters and use the arrow keys to correct the spacing in Cricut Design Space, but it will line up perfectly in other programs as long as the font size and character spacing settings are the same as the Top College layer.
Here are some samples I put together to show you how Top College works with and without CollegiateInsideFLF. At the back is the corner of what I envision as a placemat, with the stand up portion used as the shadow for the blue letters cut from the companion font. In front is a ribbon that I split and inserted the strip of cut letters through. (This allows you to have a ribbon that is longer than your paper.) And my favorite is the black placecard, made by drawing the companion font with a sketch fill using a metallic pen in Silhouette Studio, and then cutting the unscored version of Top College from the center of the card. I can’t wait to see your projects.
Here’s a video where I show how to use Top College in Cricut Design Space and Silhouette Studio.
The most popular lady in all of Font Land, Samantha, is still on sale and continuing to generate lots and lots of buzz, and questions.
The information below also applies to Zelda, Dom loves Mary, Gioviale, FunkiDori and this fantastic bundle of 8 more Laura Worthington fonts which are also on sale right now.
I have spent a lot of time fielding your questions and finding the best procedures, so here is the latest info our lady Samantha (and all of her specially PUA-encoded friends from Laura Worthington, Debi Sementelli , YellowDesign and Stephen Rapp.)
Where’s the best place to get Samantha?
The best place to buy is Mighty Deals, when it is for sale there it is deeply discounted.
Which package should I buy?
$17 Upright includes Upright Regular version of font plus matching alternate characters (with swirls), ornaments and catchwords
$17 Italic included Italic Regular version of font plus matching alternate characters (with swirls), ornaments and catchwords
$37 package includes Upright Regular, Upright Bold, Italic Regular and Italic Bold plus matching alternate characters (with swirls), ornaments and catchwords for each of those four versions
$55 package includes Upright Regular, Upright Bold, Italic Regular and Italic Bold plus matching alternate characters (with swirls), ornaments and catchwords for each of those four versions plus the versions you need if you are a web designer serving live type on the web. If you don’t know what web fonts are then you do not need them.
Can’t you just recommend something?
If you use the Cricut Explore, I recommend the $37 package so you will have the bold versions. (no offset in Design Space, boo)
If you have the free version of Silhouette Studio, I recommend the $17 Upright version and the $17 Italic version. You can “bold” your fonts with the offset feature.
If you have other cutting software, I recommend the $17 Upright version. You can “bold” your fonts with offset and “italicize” them with the shear tool.
Are these OK for commercial use?
Yes, these fonts are also licensed for use on items diecutters typically sell (words and phrases, not individual characters). For licensing details please see Laura’s FAQ’s.
How do I install them?
Unzip the folder and double click on the font file you want to install. Click the install button. You should see the fonts in the font list in your software the next time you open it or log on. You can find more specific instructions for installing fonts for your operating system in your computer’s help.
Which fonts do I install?
Either OTF or TTF, not both. For Mac I recommend installing all OTF files. For Windows I recommend installing all TTF files. That is just what seems to be working best for me.
I installed 4 fonts but only see 2 listed in my software.
This is normal, regular and bold are combined from your computer’s perspective.
How do I access the extra glyphs?
That depends on your OS and the software you want to use it in…
Windows Cricut Design Space
Windows Microsoft Word (including on to Cricut Design Space)
Windows/Mac Adobe Illustrator (including on to Cricut Design Space)
Windows Silhouette Studio
Also please see this link for written instructions and a couple of corrections.
Mac Cricut Design Space
Mac Silhouette Studio
Windows SCAL 3, Mac SCAL4
Mac – other programs
I’m using Windows Character Map, but the glyphs are so small.
Here are some ways to see them better
Use Nexus Font’s character map instead – Written tutorial from Paper Moon Snippets
Use Microsoft Word instead – video tutorial by me here
Use the Magnifier – Written tutorial from Under A Cherry Tree
I found the Private Use Area but it is empty.
You likely have an earlier version of Samantha and need to email designer Laura Worthington (hello at LauraWorthingtonType dot com) with your receipt so she can send you the latest version
I get an error in Cricut Design Space on my Mac when I select Samantha.
This is a bug in Design Space affecting Samantha Italic. Workaround is to wait it out, then choose Italic from the style menu and proceed. And/or email designer Laura Worthington (hello at LauraWorthingtonType dot com) with your receipt and ask her for the split version
It sounds so complicated.
Samantha is an advanced font that requires advanced techniques but yields advanced results. I recommend that anyone who is apprehensive download Milkshake, which is a free font by the same designer. It has a limited number of alternate characters but enough that you can practice the steps that are needed.
Can I download it to more than one computer?
Yes the license allows for one person on up to five workstations.
How can I print out all the characters?
There is a PDF for that here.
How can I get access to the special characters on my iPad?
You will need 2 additional apps to access the special characters in Samantha in the Cricut Design Space iPad app. One called AnyFont that lets you install fonts on your iPad. The other app called Unicode Character Viewer to let you access the special characters.
I am having trouble using Samantha in Cricut Design Space since the 2.0 update. Any advice?
Try this sequence: Click to make a new text box, type some dummy text from the keyboard, change it to Samantha. If it will not let you change the font, click on the mat and back onto the font box to re-select it and try again. Once you have Samantha selected, paste in your characters from Character Map, Font Book or whatever you use to access the alternates.
The characters I copied, don’t match the ones I pasted.
If the characters don’t match what you copied, try different versions/styles of Samantha (bold, bold italic, etc) because they have to match or you can get the wrong characters.
If you haven’t taken a look at Sure Cuts A Lot lately, it might be time. There’s especially good news if you are…
… a font lover
with Windows (as of v4.008 works in Windows and Mac)
…. a Brother Scan and Cut owner
…. a Pazzles Vue owner
…. or an iPad or Android tablet user
SCAL4 has lots of new features including easy alignment, a stencil tool and conical warp, but the best one, in my opinion, was not announced. You can now get to all the characters in fonts like Samantha and Cantoni (PUA encoded) from the SCAL4 font palette. This makes SCAL4 the very best option for diecutters looking to use these advanced fonts, since a click of the mouse brings each character onto your mat in proper proportion as editable type.
Unfortunately, for now this only works on the Windows version. (Please let firstname.lastname@example.org know you’d like the Mac version to support extended character sets, too.)
We were heard! Thanks for adding your voice and thanks, Craft Edge, for responding so quickly! Here’s a video on this
Brother Scan and Cut owners will be happy to know that SCAL4 can export to Brother’s native .fcm format!
While you can’t cut directly from SCAL4 (or any other software including Brother’s) to a SnC, you can design anything you like, or import an existing SVG, export it to a thumb drive and cut without going through their cumbersome Canvas web app. SCAL4 can cut directly to a large number of cutters including the Pazzles Vue. Actually so can the latest version of SCAL3, I’m just late figuring this out.
While you won’t find Cricut Explore on this direct cut list, SCAL4 is a great companion to the Explore because it can export to SVG for vector upload into Design Space. In addition to designing from scratch, SCAL4 can import .ai, .eps and vector .pdf files and convert them to .svg. SCAL4’s line fill effect is also helpful for creating write files with letters and shapes you want the pen to color in.
SCAL’s tablet app (9.99 via Apple’s App Store or Google Play) allows you to design for any cutter offline (away from the cutter and from the internet) and then transfer your designs to your computer to cut. If you also have SCAL4 desktop you can control it from the app to be able to cut from the tablet to supported cutters like the Cameo and Vue. Here’s a first look at the SCAL app from Rob at Scrappy Dew.
Congratulations to all those who got a new Silhouette machine for Christmas. No doubt you are anxious to get started…or maybe you are just anxious. Either way, here are some things I wish I had known from the get-go.
Note: This is an update of my most popular post last year.
-Every machine is different. The settings in Silh Studio or that you get from others are suggested starting points. You should do your own test cuts to determine what is right for your machine, blade, material, climate, etc.
-The mat starts out waaaayyy too sticky and it WILL eat your paper or the backing on your vinyl. Then it quickly goes to not sticky enough. This is frustrating but you will learn to keep several mats on hand at different levels of stickiness for different things. Before the first cut on a new mat, “de-sticky” it by patting it with a clean t-shirt. Then use heavy card stock for the first few cuts because it is easier to get off the mat.
-There is a button and/or indicator on your machine’s screen for Load Mat (or Carrier) vs. Load Media. Pay attention to this and check it before every cut, even if you didn’t change anything! This is the number one source of cutting errors, and is easily prevented.
-The Cut Settings window (blade button upper right) gives you a sort of cut preview and you should check it before every cut to avoid surprises. Lines that are set to cut will appear show as thick. Often you will need to turn cut lines on here. This is another source of easily avoidable errors.
-Pens are a great way to test “cut” and just to learn how the machine works. The character marker sets in the dollar section of Target, Michaels and Walmart (also Dollar Tree) fit the Silh machines perfectly with no adapters necessary so they are perfect for this. You can use a piece of card stock with no mat so you are not wasting paper, blades or mat adhesive while you experiment.
-The designs from the Silh store are regular cut files UNLESS they have a small S for sketch or P for Print and Cut beside them. You will not be successful cutting a sketch file, and probably not a print&cut file either. Pay attention to the codes until you get to the point where you can tell them apart just by looking at them.
-When you want to remove the lines between overlapping letters or shapes, that is called “welding” and there is a button for that on the Modify panel or you can right click.
-If you want to fatten up letters or make layered “mats” 0r “shadows” that is called “offset” and it has its own button that looks like a square with an arrow. The size of the offset is adjustable with the slider or by entering numbers or toggling the arrows.
-If you are unable to move objects smoothly on your mat, then go to the Grid window and uncheck “Snap to Grid.” This has a tendency to change for no reason.
-You can set a shape to any dimension using the Scale window. The button has diagonal arrows on it.
-Vinyl is easier to cut than paper, but people are scared of it because it is more expensive. Do not be afraid of vinyl (except maybe Silhouette or paper Studio brands, which are junk), but do learn about kiss-cutting and transfer paper. You will quickly be addicted. Contact paper (adhesive shelf liner) is a type of vinyl and can be substituted for many vinyl tasks like practice cutting and stencil making. If you can get scraps from a sign shop, that is perfect, too.
-Try some easy projects first like simple cards or single layer vinyl. The following are NOT easy projects : Split letters, lettering on ornaments, layering on cutting boards, many-layered paper piecings, designs by Kim Bright, tracings of photographs, double-sided print and cut, projects involving advanced fonts such as Samantha, or anything very detailed that is cut very small.
Think of it like diving. You would start with a jump and then a simple head first dive and work your way up over time before attempting a triple gainer. But do go ahead and get wet!
There has been a deluge of biased information out lately comparing the Cricut Explore vs the Silhouette Cameo but the truth is the systems are very different, each with strengths and weaknesses and neither is a slam dunk for everyone. As the holiday rapidly approaches, which should be on your wish list? Let me try my best to give you some objective guidance.
First let me get the similarities out of the way. Both can cut vinyl or card stock to the level of precision and accuracy quite suitable for the typical to advanced crafter. (Cricut-commissioned tests do show the Explore with a slight lead in accuracy.) Both can cut the fonts on your computer or downloadable in TTF or OTF format as well as images in their own native formats. Both allow you to import and vectorize your own images from jpg or png format. Neither allows their proprietary digital content to be exported to another vector format.
It’s difficult to compare the digital subscriptions head to head because they are quite different. Keep in mind that with a Silhouette subscription you are *purchasing* image licenses, whereas with a Cricut subscription you are *renting* them. When your subscription ends (or if a company goes out of business), you walk away with nothing from Cricut, whereas the Silhouette image licenses are yours to keep.
It is also difficult to compare individual image purchases. You can purchase some image sets or individual images from Cricut, as well as purchasing/linking cartridges available at varying prices. The actual amount you pay for a Silhouette image varies widely depending on how much you pay for your subscription or download card, but is usually much less than advertised if you shop wisely.
As far as ease of use, I’m unimpressed with both companies’ current options. Cricut’s carefully designed user interface is marred by frequent errors, freezes and crashes brought about by their unfortunate choice to make Design Space browser based and built on Flash. You won’t have to learn many design options, but you will have to learn to install multiple browsers, to delve into their detailed settings, and to clear their caches, sometimes multiple times daily.
I thought Silhouette Studio v2 had a great balance of power and ease of use, but then came V3, and a lot of disappointment. It added meager new features but disproportionately more confusion, making it not so easy to use any more (V2 is still available but not fully compatible with the newest Cameos). Cricut Design Space and Silhouette Studio are free, so I encourage you to load them both and try your hand at some design and printing tasks representative of your needs before you make a machine purchase.
Now, below I’ve listed some key differences you want to be aware of in light of your own specific needs…
Things you can do with a Cameo that you can’t do with an Explore
-Design or cut without an active internet and server connection
-Cut (vinyl or other backed materials) or draw/write without a mat
-Create your own designs from scratch using built in shape tools, freehand tools, line styles,
alignment, replication, etc.
-Add a fully adjustable offset (shadow) to any text or image for cutting, for print and cut or for draw/write and cut.
-Cut larger images or designs without tiling (see size chart below)
-Print and cut larger images (see size chart below)
-Cut images out of preprinted media such as fabric, giftwrap, stamped media or commercial greeting cards (requires optional PixScan mat $14.95 MSRP, street price $12.00)
-Print purchased or original designs in high resolution (for print and cut or to create printables, Silhouette default 600 dpi, Cricut estimated max 100 dpi)
-Backup all of your designs (purchased or created) to your own hard drive or other local media and/or to the cloud service of your choice
-Cut without a computer (previously saved files via SD card in the Cameo 1 or USB stick in the Cameo 2)
-Cut/draw complex paths of over 3000 nodes
-Import SVG sets at their correct relative size (requires software upgrade MSRP $49.99, street price $30) Update: Cricut Design Space 2.0 seems to be importing SVGs from Adobe Illustrator at the correct size, but not others.
-Cut directly from 3rd party software such as Make the Cut, Sure Cuts a Lot, Adobe Illustrator or Corel Draw (3rd party software must be purchased, AI and CD require the Silhouette Connect module as well MSRP $49.99, street price $30)
-Roll feed vinyl (optional feeder MSRP $39.95, street price $35)
-Precisely place cuts with respect to the page or mat
-Cut or write on media that is up to 15 inches wide
-Combine elements from existing files via copy and paste
-Easily draw, cut or score the same file with different settings for each layer or pass
Things you can do with an Explore that you can’t do with a Cameo
-Write and cut without pausing to exchange pen with blade
-Adjust all material settings including blade depth with a single dial (Update: in several months of using my machine, I find the presets do not work, and it is cumbersome to find an alternative, not sure that this is really an advantage)
-Cut thick/dense/tough media like shrink plastic, craft foam and aluminum (may require optional deep cut blade/housing MSRP $29.99, street price $18 and strong grip mat MSRP $14.99 street price $9)
-Cut wirelessly (requires optional bluetooth adapter MSRP $49.99, street price $30 and Bluetooth compatible computer )
-Cut and score without pausing to exchange blade with scoring tool (optional scoring tool MSRP $8.99, street price $5.40) or to adjust blade depth. (I list this reluctantly, because the score pressure can not be controlled independently of the cut and you can not set up a separate file of just the score lines to work around this. Cut and score is somewhat disappointing as it stands now).
-Legally cut Disney images for personal use (purchase of cartridge/image set or individual images required, price varies)
-Cut SVG files out of the box (I list this reluctantly, as Design Space’s SVG support is spotty at best. I’ve been unable to use many of the SVGs I had hoped to)
-Use non-licensed content on items you sell without purchasing an additional license (all items in the Cricut subscription are included in Cricut’s generous angel policy)
-Cut ready-made projects with just a few clicks (some projects are free, most must be purchased)
-Cut from an iPad 2 or later (requires optional bluetooth adapter MSRP $49.99, street price $30, and, of course, an iPad).
-Automatically add a bleed zone to a print and cut image
-Quickly turn a layered OEM cut file into a print then cut
-Design with all library images from any internet connected computer without having to purchase the images first
-Edit an existing file of yours from any internet connected computer
There are few cases where the choice is obvious
If you prefer to cut ready-made designs with as little effort as possible, then the Explore is for you
If you want to be able to cut metal, shrink plastic or other heavy materials, the Explore has the higher pressure you will need. (However, if pressure is your main consideration and you can afford to pay more, there are other options, such as the Pazzles Vue, that have even more pressure as well as better software and cutting size options)
If you have a ton of Cricut cartridges, you will probably want to stick with Cricut. Likewise, if you own a lot of Silhouette store files, you will likely want to stick with Silhouette
If you want a machine for print and cut invitations, the Cameo is the clear choice because of the size and resolution limitations of Explore’s print then cut
If you do primarily vinyl projects, the Cameo is better suited for vinyl work for a number reasons. (ability to cut without a mat, cutting length up to ten feet, optional roll feeder, ability to more easily add weed lines, better typographic support including text wrap, etc.)
If noise is a concern, the Explore is a significantly quieter machine.
If you rely on your cutter for a business, the Explore simply can not be your only machine because internet or server interruptions will bring you to a halt. I would also consider the lack of content control to be a major concern for business owners.
If you already have one, ask for the other. Then you will have the best of both worlds. :)